pinning down the past

Louise Saxton - A Bird in the Handā€¦#2, 2007  Reclaimed needlework, lace pins, nylon tulle, 126 x 76 cmAs I have mentioned before, I do have a bit of a thing for vintage embroidery.

And sometimes, I have a bit of a problem knowing what to do with it when I find myself “rescuing” it, having been unable to let all that intricate work go unappreciated.

Now I don’t know, but I do wonder whether the same feelings ever crossed Australian artist Louise Saxton’s mind.

We certainly shareĀ a love of and passion for these disappearing materials and traditions.

Louise Saxton - Red Cloud 2008. Reclaimed needlework, lace pins, nylon tulleI came across Louise’s work recently onlineĀ and at first, as I imagine most people do, I thought it was all hand-stitched.

In a way it is, though not by Louise herself.

Instead sheĀ assembles her works from reclaimed vintage embroideries and textile fragments. They are held together precariously by lace pinsĀ on a backing of nylon tulle.

The lack of any stitching or glue adds to theĀ sense of fragility, one of the themes of her work.

Louise Saxton - Ellis' Paradise 2011, after Ellis Rowan 1917. Reclaimed needlework, lace pins, nylon tulle.In salvaging the discarded, Louise’s work pays homage to the hand of other makers, both known and unknown.

She reclaims and preserves the forgotten past, whilst respecting its ephemerality.

Which of course chimes with my own passion for reclaiming vintage fabrics and using them to make something new.

Louise Saxton - Weep, 2009 (detail) Reclaimed needlework, lace pins, nylon tulleI find the delicate and ethereal beauty of Louise’s work just astonishing.

Visit her website to see more.Ā ā™„

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